Amerigo Tot (1909 - 1984)
BiographyBiography
Biography – Amerigo Tot
Amerigo Tot (1909–1984) was a Hungarian-born sculptor and visual artist who spent most of his life in Italy. He is among the few Hungarian artists whose name became widely known and respected in both Italy and Hungary during his lifetime—and has remained so ever since.
Amerigo Tot was born on September 27, 1909, in Fehérvárcsurgó. In 1921, his family moved to Budapest. In 1927, he was admitted to the Mintarajziskola (today the Academy of Applied Arts), where he studied graphic arts and graduated with distinction in 1930. His teachers included Ferenc Helbing, Gyula Kaesz, and György Leszkovszky. From 1931, he studied at the Bauhaus in Dessau for half a year as a residential student (1931 was the last year of the Bauhaus in Dessau). During this period he held his first exhibition in Dresden at the Brücke Gallery. In 1933, he moved to the Hungarian Academy in Rome on a scholarship.
A central motif in his work is the human figure, often arranged in pairs or small groups. His rounded female figures—seen in a variety of situations—are closely associated with one of his most important sculptural series, the “Gravel Women”. His depictions of lovers, reminiscent of Picasso (whom Tot knew personally), appear in natural, self-evident poses and express the idea of shared presence and human connection. In his personal vision of beauty, simplicity and creativity are closely intertwined.
Amerigo Tot carried out commissions of international significance. Among his best-known works are the relief on the façade of Rome’s Termini railway station and the reliefs for the Hungarian Chapel in the Vatican. He also produced lithographs for the Olympic Committee.
In 1978, a permanent exhibition of his work opened in Pécs, Hungary. In the same year, he was elected a gold-medal member of the Italian Academy of Sciences. In 1979, he received the Hungarian Republic’s Flag Order decorated with a laurel wreath.
His last exhibition in Hungary opened at the Vigadó in Budapest in 1982. Amerigo Tot died in Rome on December 13, 1984. He was laid to rest at the Farkasrét Cemetery in Budapest. His tomb monument was created by Miklós Melocco and installed in 1989.
| Year | Biography |
|---|---|
| 1909 | He was born in Fehérvárcsurgó (village in Fejér County) |
| 1927-1930 | Budapest College of Applied Arts |
| His teachers: Ferenc Helbing, Gyula Kaesz and György Leszkovszky | |
| 1931 | he was admitted to the Bauhaus in Dessau for a half year, in residential homes |
| 1933 | Dresden school |
| 1933 | He started to dealing with sculpture at the Hungarian Academy in Rome |
| 1940-1945 | He made the series of Gravelwoman |
| 1947 | He became artistic adviser of the Hungarian Academy in Rome |
| 1949 | He won the international tender of the Frisians of Termini station in Rome, |
| which made him famous in worldwide. | |
| 1950-1952 | He presents his works in Switzerland, Denmark and Sweden |
| until 1953 | He completed the Termini Frisians |
| 1966 | He won the tender of the Kennedy memorial in Rome |
| 1970-1980 | He taught on the Academy of Fine Arts in Bari |
| In 1974 | He prepared the Portrait of Pope Paul VI,and that chalice, which |
| was used by the Pope on the Holy Year opening celebrated mass | |
| His teachers: Lyonel Feininger, Josef Albers, Vaszilij Kandinszkij, Joost Schmidt, | |
| Gunta Stölzl, Alfred Arndt, Walter Peterhans and László Moholy-Nagy | |
| Awards | |
| 1927-1930 | Budapest College of Applied Arts |
| His teachers: Ferenc Helbing, Gyula Kaesz and György Leszkovszky | |
| 1931 | he was admitted to the Bauhaus in Dessau for a half year, in residential homes |
| 1933 | Dresden school |
| 1933 | He started to dealing with sculpture at the Hungarian Academy in Rome |
| 1940-1945 | He made the series of Gravelwoman |
| 1947 | He became artistic adviser of the Hungarian Academy in Rome |
| 1949 | He won the international tender of the Frisians of Termini station in Rome, |
| which made him famous in worldwide. | |
| 1950-1952 | He presents his works in Switzerland, Denmark and Sweden |
| 1947 | He became artistic adviser of the Hungarian Academy in Rome |
| 1949 | He won the international tender of the Frisians of Termini station in Rome, |
| which made him famous in worldwide. | |
| 1950-1952 | He presents his works in Switzerland, Denmark and Sweden |
| until 1953 | He completed the Termini Frisians |
| 1966 | He won the tender of the Kennedy memorial in Rome |
| 1970-1980 | He taught on the Academy of Fine Arts in Bari |
| In 1974 | He prepared the Portrait of Pope Paul VI,and that chalice, which |
| was used by the Pope on the Holy Year opening celebrated mass | |
| Awards | |
| 1938 | He was winner of the young Italian artists Prize, the „Premio per Giovani Artisti” |
| 1946 | Premio Saint Vincent prize |
| 1948 | Forte dei Marmi first prize. |
| 1950 | Mostra della Ricostruzione Sculpture Award |
| 1956 | The Roman Agricultural Exhibition (Mostra dell’ Agricoltura) first prize |
| 1979 | He was awarded by the Hungarian Republic, decorated with laurel, Flag Order |
| Exhibitions | |
| 2007 | Folders from Rome (MKE, Parthenon frieze Room, Epreskert, Budapest) |
| 2007 | Folders from Rome (Lamberg Castle, Mór) |
| 1982 | Vigadó Gallery, Budapest |
| 1978 | IV. Budapest International Small Sculpture Exhibition (Kunsthalle, Budapest) |
| 1973 | La Pancetta' (Bari) |
| 1973 | Palermo, Sicily |
| 1972 | Rio de Janeiro, Mexico City, Tokio |
| 1972 | Contemporary Italian Sculpture (Hakone, Japan) |
| 1971 | The Joseph M. Katz Collection (Pittsburgh, U.S.A.) |
| 1971 | Modern Italian Sculpture (Kunsthalle, Budapest) |
| 1970 | Quadriennale (Rome) |
| 1970 | Galleria d'Arte, Bari |
| 1969 | Szeged |
| 1969 | Debrecen |
| 1969 | Tihany |















































